Wrekin Shotokan Karate Club |
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Japanese Terms used in the dojo:
General terms
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| Kyu | Junior Student ( From 9°Kyu White-Belt up to 1°Kyu Brown-Belt ) | |
| Dan
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Senior
Student ( From 1°Dan Black-Belt up to 10°Dan Black-Belt )
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| Kohai
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Lower
Grade
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| Sempai
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Higher
Grade
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| Sensei
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Teacher
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| Shihan
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Master
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| Ichi
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One | ju-ichi | Eleven | ||
| Ni
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Two
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ju-ni | Twelve | ||
| San
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Three
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ju-san | Thirteen | ||
| Shi
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Four
Note
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ju-shi (ju-yon) | Fourteen | ||
| Go
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Five
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ju-go | Fifteen | ||
| Roku
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Six
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ju-roku | Sixteen | ||
| Shichi
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Seven
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ju-nana/ju-shichi | Seventeen | ||
| Hachi
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Eight
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ju-hachi | Eighteen | ||
| Kyu
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Nine
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ju-kyu/ju-ku | Nineteen | ||
| Jyu | Ten | ni-ju | Twenty | ||
| san-ju | Thirty | ||||
| yon-ju | Forty | ||||
| go-ju | Fifty | ||||
| roku-ju | Sixty | ||||
| nana-ju | Seventy | ||||
| hachi-ju | Eighty | ||||
| kyu-ju | Ninety | ||||
| hyaku | Hundred |
| AGE UKE | Upper Rising Block. Used to guard against an attack to the face. | |
| GEDAN BARAI | Lower Level Sweep. | |
| HAISHU UKE | Back Hand Block. A block using the back of the hand. | |
| HAITO UKE | Ridge-hand Block. | |
| JUJI UKE | X Block. | |
| KAKIWAKE UKE | Reverse Wedge Block. A two handed block used when an attacker attempts to grab the front chest area of the defender. | |
| MAWASHI (KAKE) UKE | Round House (Hooking) Block | |
| MIKAZUKI GERI UKE | Crescent Kick Block, where the kick is used to block an attack. | |
| MOROTE UDE UKE | Augmented Forearm Block. One arm and fist support the other arm in a block. The assisting arm also guards the solar plexus. | |
| SHUTO UKE | Knife-hand Block. | |
| SOTO UDE UKE | Middle Level Outside Forearm Block | |
| TATE SHUTO UKE | Vertical Knife Hand Block. | |
| TEISHO UKE | Palm Heel Block. | |
| UCHI UDE UKE | Middle Level Inside Forearm Block. |
| EMPI UCHI | Elbow strike (also called HIJI-ATE). | |
| HAISHU UCHI | Back Hand Strike. A strike with the back of the hand where the hand and fingers are straight. | |
| HAITO UCHI | Ridge-hand Strike. | |
| IPPON NUKITE | One Finger Strike. A stabbing action using the extended index finger. | |
| NIHON NUKITE | Two-Finger Strike | |
| NUKITE | Spear Hand | |
| TEISHO UCHI | Palm Heel Strike. | |
| TETTSUI UCHI | Bottom Fist Strike. | |
| URAKEN UCHI | Back Fist Strike |
| AGE TSUKI (ZUKI) | Rising Punch. Seen in the Kata EMPI | |
| CHOKU TSUKI | Straight Punch. | |
| GYAKU TSUKI | Reverse Punch. | |
| KIZAMA TZUKI | Jab Punch | |
| IPPON KEN | One Knuckle Fist. | |
| JUN TSUKI | Corresponding Punch. i.e. punching with the same arm as the leg that is forward. | |
| REN TSUKI | Double punch | |
| KIZAMI TSUKI | Jabbing Punch. | |
| MAWASHI TSUKI | Roundhouse Punch. | |
| MOROTE TSUKI | Augmented Punch or U-Punch. Punching with both fists simultaneously. | |
| OI-TSUKI | Lunge punch. | |
| SANBON TSUKI | A series of three punches, generally the first is OI TSUKI JODAN, followed by a slight pause then, CHUDAN GYAKU TSUKI, immediately followed by CHUDAN TSUKI, but it can be performed with three punches to the same target. | |
| TATE TSUKI | Vertical Punch. A fist punch where the knuckles hit the target along a vertical plane. | |
| URA TSUKI | An upper cut / close punch used at close range. Sometimes called STAZ TSUKI. | |
| YAMA TSUKI | A wide U-shaped dual punch. Also called Mountain Punch, YAMA=MOUNTAIN. |
| FUMIKOMI | Stamping kick, usually applied tithe knee, shin, or instep of an opponent. | |
| HIZA GERI (strike) | Knee Kick. | |
| KIZAMA GERI | Front kick using the front leg and thrown with a jabbing action. | |
| MAE GERI | Front Kick. | |
| MAWASHI GERI | Roundhouse Kick. | |
| MIKAZUKI GERI | Crescent Kick. | |
| NIDAN GERI | Double Kick, as seen at the end of the Kata KANKU DAI. | |
| REN-GERI | Alternate kicking. | |
| TOBI GERI | Jumping Kick. | |
| USHIRO GERI | Back Kick. | |
| YOKO GERI KEAGE | Side Snap Kick. | |
| YOKO GERI KEKOMI | Side Thrust Kick. . |
| ASHI BARAI | Foot/Leg Sweep. You may also see this as Ashi Harai. | |
| NAMI ASHI | Inside Snapping Block, also known as Returning Wave, as seen in the Kata Tekki Shodan. | |
| YORI ASHI | Sliding The Feet, Without Legs Crossing. |
| FUDO DACHI | Rooted Stance. | |
| HACHIJI DACHI | Open Leg Stance. The feet are positioned about one shoulder width apart and pointed outwards at 45 degrees. The true full name for this stance should be 'Soto Hachiji Dachi', and when the feet are angled in at 45 degrees the name is 'Uchi Hachiji Dachi'. | |
| HANGETSU DACHI | Half-Moon Stance. The feet are wide apart and the knees are dropping in, making the shape of an hourglass. | |
| KIBA DACHI | Straddle Stance. Also known as HORSE RIDING STANCE. The feet are wide apart and both feet are pointing forwards. then sink down in the stance as if you were sitting on a horse. You should not be able to see your feet, as they should be covered by your knees. | |
| KOKUTSU DACHI | Back Stance. A stance, which has 70 percent of the weight to the back. The front foot is pointing forwards and the back foots heel is on the same parallel line as the front foot but angled at 90 degree's. | |
| KOSA DACHI | Cross Stance or as it is more commonly called Crossed-feet Stance (which would be Kosa Ashi Dachi). The front foot is pointing forwards and the rear foots instep is pressed up against the Achilles tendon area of the front foot. The ball of the rear foot is touching the floor. Both knees are slightly bent. | |
| MUSUBI DACHI | Informal attention stance, Heels placed together but with each foot turned out at 45 degrees. This used to be called 'Linked Feet Stance' | |
| SAGI ASHI DACHI | Heron Leg Stance. A one Leg Stance where the sole of the raised foot is placed against the inside of the supporting legs knee. | |
| SANCHIN DACHI | Hourglass Stance. As seen in the Kata Nijushiho. The rear foot and toes are pointed forwards and the heel of the front foot is level with the front of the toes of the rear foot, but the front foot is angled in at 45 degrees. Both knees are dropped in guarding the groin. | |
| SASHI ASHI-DACHI | Stepping across / extending the foot. As seen at the start of the Kata Tekki Shodan. | |
| SHIKO DACHI | Square Stance, or Four Thigh Stance also sometimes called SUMO STANCE. Similar to Kiba Dachi but with the feet turned out. | |
| SHIZEN DACHI | Natural Stance. | |
| TSURU ASHI DACHI | Crane Leg Stance. A one-leg stance where the instep of the raised leg is held against the rear of the knee of the supporting leg. | |
| ZENKUTSU DACHI | Forward Stance. The actual translation means Front Knee Bent Stance. |
| TAIKYO KYU | First Cause |
| HEIAN SHODAN | Peaceful Mind First Level |
| HEIAN NIDAN | Peaceful Mind Second Level |
| HEIAN SANDAN | Peaceful Mind Third Level |
| HEIAN YONDAN | Peaceful Mind Fourth Level |
| HEIAN GODAN | Peaceful Mind Fifth Level |
| TEKKI SHODAN | Horse Riding First Level |
| TEKKI NIDAN | Horse Riding Second Level |
| TEKKI SANDAN | Horse Riding Third Level |
| BASSAI DAI | To penetrate a fortress Minor |
| BASSAI SHO | To penetrate a fortress Major |
| KANKU DAI | Viewing the Sky Minor |
| KANKU SHO | Viewing the Sky Major |
| HANGETSU | Half Moon (Han means half. Getsu means moon) |
| EMPI | Flying Swallow |
| GANKAKU | Crane on a Rock |
| JITTE | Ten Hands |
| JI-ON | From the temple of Jion |
| JI-IN | Temple grounds |
| CHINTE | Strange Hands |
| MEIKYO | Polished Mirror |
| NIJUSHIHO | Twenty-Four Steps |
| SOCHIN | Immovable in the face of danger |
| WANKAN | King's Crown |
| UNSU | Hands in the cloud |
| GOJUSHIHO DAI | Fifty Four Steps Minor |
| GOJUSHIHO SHO | Fifty
Four Steps Major |
| GANKAKU SHO | Crane on a rock - Major |
| NIJUHACHIHO | Twenty Eight Steps (although there are actually 56 steps - each action requiring two techniques) |